And although Wasikowska is quite luminous and talented an actress, the movie is entertaining but not the extraordinary adaptation that Carroll's work deserves. Alan Rickman's absence is noticeable, although his voice makes an appearance at the beginning of the story. There's some humor, usually courtesy of Cohen, but otherwise this is a tale of a family lost and two sisters torn apart by a flimsy, childhood lie. James Bobin does his best to conjure the same whimsical fantasy land that Burton did the first time around, but the tone in Alice Through the Looking Glass is dark, uncomfortable, and slightly underwhelming. And the supporting players so beloved in the first film make only brief appearances, while Cohen and Carter chew up the scenery. Alice is still plucky, but now there's an edge to her, like when she angrily tells her mother that she hopes never to end up like her. The Mad Hatter is especially reduced to a grieving, unstable phantom of his previous self, leaving poor Depp with little to do other than make alternating sad, hopeful, and cheerful eyes at Alice. Visually stimulating but uneven, this sequel owes a debt to Burton's trippy original but lacks cohesive narrative other than to explain the origins of Hatter's sadness and the Red Queen's head. But as Alice quickly finds out, stealing the chronosphere has life-altering consequences, made all the worse because the Red Queen ( Helena Bonham Carter) is also interested in stealing it and using it for her own purposes.
Princess Mirana ( Anne Hathaway) tasks Alice with finding Time ( Sacha Baron Cohen), stealing his chronosphere, traveling to the past, and stopping the Hatter family's deaths. Stripped of her satisfying career as a sea captain on her father's trading ship (thanks to her vengeful ex-fiance) and facing the prospect of life as a clerk, Alice ends up back in the other world, where the Hatter is sickly and depressed - convinced that his entire family is alive, even though everyone knows they perished in a Jabberwocky-caused fire long ago. A few years have passed since Alice, facing an engagement she didn't want, was first in Underland. The colours and set design can be extremely beautiful though.Based on Lewis Carroll's classic books, ALICE THROUGH THE LOOKING GLASS is the sequel to 2010's Alice in Wonderland, once again starring Mia Wasikowska as Alice and Johnny Depp as the Mad Hatter.
Graver still is the unwillingness to trust the audience - the dream/reality ambiguity, crucial to the book's meaning, is too clearcut. Episode Description: In this classic tale, Alice falls through a mirror and arrives in a wonderful place called Chessland Alice's journey across eight crazy squares of Chessland is brought to the screen in this high quality entertaining animated feature for your kids and family. Changing the book's view from that of a child to a woman renders the whole exercise redundant. Episode Title: Alice Through the Looking Glass 1987. There is no sense of narrative momentum (even if only to be subverted), and targets are missed because it is unclear what they are. Different film styles are used to try and disrupt normality, a la Carroll, but the incoherent script, uncertain acting and muffled diction only grate. The filmmakers fail to adapt forms, instead relying on swathes of dialogue. Its humour and traumas are literary and philosophical. Without infringing on the IMDb guidelines, can I just suggest that this film is a disappointing visualisation of the greatest book ever written? Lewis Carroll's masterpiece is too mercurial to depict - taken out of its literary context, its ideas, incidents and characters simply don't make sense.
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